PRESENTATION
The 1700 La Poste is pleased to present an exhibition devoted to Julie Ouellet, from April 23rd 2021.Born in Saguenay-Lac-Saint-Jean in 1974, Montreal-based artist Julie Ouellet has developed a practice focused consistently on drawing and painting. The exhibition at 1700 La Poste presents a first retrospective of her work, reaching back to her beginnings in 1992. Her production since 2000, following her studies at Université du Québec à Montréal, would seem to fall into three major phases that unfold in continuity with one another: the discovery of the self and the body and its connection to the other; the motif of the thread and its development in knots; and an immersion in the landscape, guided by the constraint of having to lose oneself.Drawing has always been central to her practice. She initially used charcoal for the freedom of line that it allows. In an ongoing quest for materiality, she went on to introduce a technique generally associated with painting: the use of melted wax on canvas or a wooden support. Ouellet added charcoal, oil and coloured pigments to the melted wax in unique explorations at the juncture between drawing and painting.Ouellet introduces the line through the thread that she projects ahead of herself and which seems to connect every stage of her production. She controls the line through gestures constrained by rules that she sets for herself. Faced with redundancy or repetition, she breaks the rhythm and sets off in new directions, devising new constraints as the drawing progresses. “I start working,” says Ouellet, “and as the drawing progresses I establish certain constraints for myself. It takes a long time before I break these rules; it takes an obstacle or an accident for me to set out on new paths, which in turn lead to new constraints.”Throughout her work, Ouellet shares with us the philosophical lesson of the paradox that exists in the constraints she imposes on herself, which seem to be restrictions and yet strangely become the framework within which she can lose herself to find her art.
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An exclusive documentary about the artist’s work, directed by Bruno Boulianne, will be shown during opening hours. A catalogue prefaced by Isabelle de Mévius and featuring texts by Ginette Michaud and Mario Côté accompanies the exhibition.