By means of its biographical perspective, this monography outlines the personal and artistic evolution of sculptor Jean-Pierre Morin. Punctuating this abundantly illustrated book, art historians Dany Quine’s and Marie Perrault’s essays respectively trace an intimate portrait of the man, and provide an analysis of his body of work as it has been unfolding over more than thirty years. The executive and artistic director of 1700 La Poste, Isabelle de Mévius, pens the catalogue’s preface.